Prices reflect this, making it much less expensive to use a Digital Ad license. Most websites generally have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month. There are a few reasons, such as the Digital Ads EULA having terms that enable usage in digital ads and on advertising networks.ĭigital advertisements also have different usage patterns compared to websites.
#See you later license
HTML5 ads use webfonts, so why purchase a Digital Ads license rather than a Webfont license? This kit may be shared with third parties who are working on your behalf to produce the ad creatives, however you are wholly responsible for it. We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. The track "Memories of Green" was later used by Vangelis in his soundtrack for the 1982 film Blade Runner.You can use this type of license to embed fonts into digital ads, such as ads built using HTML5. About halfway through, there is a child narrative in French, with Anderson's vocals used in the finale.Īll songs composed and written by Vangelis.Ī test 8-track test pressing (never officially released) has also surfaced without the title track, but includes the track "My Love" which was featured on a previous single "My Love/Domestic Logic 1", along with two additional tracks "Neighbours Above" and "Fertilization". "See You Later" has Vangelis on electric piano and staccato male atonal choir. The second (slower) half of the piece features vocals by Jon Anderson and a narrative in Italian, by Krisma ( Maurizio Arcieri and Christina Moser). "Suffocation" employs the KR-55 and a saw wave synthesizer melody, followed by an eerie brass and megaphone emergency announcements in Italian. "Not A Bit – All Of It" has vocals by Cherry Vanilla. This song was used in Vangelis' subsequent soundtrack to the 1982 film Blade Runner. Its distinctive "drunk" sound was achieved with the use of an Electroharmonix Electric Mistress flanger pedal. The piano used on this piece was a Steinway Grand piano. "Memories of Green" is a slow piano-based piece with a backdrop of synthesizer sounds and bleeps from the 1978 Bambino electronic game "UFO Master Blaster Station". "Multitrack Suggestion" is Kraftwerk-style and Eurodisco, which builds on a polysynth and upbeat KR-55 pulse the choir sings some terms associated with analog synthesizer technology (VCO, VCF). "I Can't Take It Anymore" is sung by Peter Marsh through a vocoder over a deep synthesizer glissando bass, a synthesizer choir and KR-55 hihats. Vocals featured are by Jon Anderson (tracks #5 and #6), Peter Marsh (track #1), Christina and Maurizio Arcieri from the group Krisma (track #5) and Cherry Vanilla (track #4 narrative). The Korg KR-55 drum machine is used extensively. Vangelis plays all instruments: synthesizers, electric piano, grand piano and drums. The inner sleeve is also disturbing, displaying a character seated in a greenhouse wearing an eerie-looking gas mask. The album's sleeve shows an ice-covered ocean with a woman wearing sunglasses to protect her eyes the image uses optical compression in the horizontal axis. Track "Suffocation" was inspired by the Seveso disaster in Italy. The title track lyrics say "See you later then.
The lyrics are written by Vangelis in English, French and Italian they use electronic terminology and incorporate references to lost love, and the downfall of humanity due to the influence of technology. Subjects touched on include funerals, masks, and ready-to-wear and ready-to-eat things. The concept album is bleaker than most of his records, incorporating negative and satirical intonations of a dystopian future. See You Later is Vangelis' most wide-ranging work of the 1980s, with more radical musical and lyrical themes than are found in his other albums.
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